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Blues Guitar Theory

The blues and blues-based rock songs to break with the traditional guitar theory of applying the pentatonic scale less on a major chord. Specifically, this occurs over a seven-dominant chord (written simply as 7), or at least a chord that functions as a seven dominant. The rope only to a key that produces dominant seventh is V (5). This is because the fifth scale degree is a major triad, and has a range of 7 th floor. Mixolydian mode is derived from the fifth grade.

Blues Guitar Scales

Playing the minor pentatonic scale over a chord based on monitoring produces large intervals:

Root, B3, 4, 5, b7 (and possibly the scale wing b5 blues.)

So that almost all the intervals needed to build dominant chord seven, unless the third largest. Playing a minor third over a major third produces some dissonance, but in a blues based on this context, shock of the notes creates a tight sound that we've grown to like (it's called rock 'n' roll). Often players can also add the third highest to lowest pentatonic scale patterns, or use a combination of both major and minor pentatonic (which is actually the combination of two different keys).

Thus, the blues-based rock may include Mixolydian Mode (also known as the dominant ) Scale and / or minor pentatonic. And there always has to break the rules. Blues players also based on the pentatonic scale is used most in major chords and traditional href = "http://www.Guitar-Music-Theory.com"> guitar theory teach.When usually combine all of these scaling options that ends with a pile of letters to include in their melodies, riffs and lead guitar solos.

Play Until Your Fingers Bleed!

Mr. Desi Serna (Google Me!)

Author of Fretboard Theory

http://www.Guitar-Music-Theory.com

Scales, Chords, Progressions, Modes

How to Learn Blues Chord Progressions: Vol 3 : How to Play a Lead Blues Guitar Scale