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You hear a song and immediately know it's a blues. How do you know?

It may be in the pace or rhythm pattern. Maybe it's a shuffle fast, or the deliberate staccato of 12 slow / 8 rhythm.

It can be a family changes I, IV, V chord progression that lament lost tips it was – or loves lyrical ramblings and "to-do-I-mal's".

But there is a good opportunity recognition was caused by the underlying structure the chords of the song.

Most guitarists start soon become familiar with chords and minor chords. And millions of songs from different genres of music can be played with them.

But blues music is rare to find a chord using varying levels. Not impossible, but rare.

More generally, will meet 7 chords, minor chords 7, 9 chords, and augmented chords – just to name a few.

Many of these chords are very similar to that of their parents more or less, with only a slight change in one of the notes of the chord.

But this subtle change, which gives these chords the sound "blues", which tells your ears that you are listening to the blues.

Here we talk of 7 chords and how to use them create blues progressions.

Technically, a 7th chord is formed by the major triad and the addition of a 7th floor with it.

From a In practical terms, let's look at how a simple form 7th chord the chord of a standard "G" on the 3rd fret Barre.

E ———- 3 ———- 3 —–

B ———- 3 ———- 3 —–

G ———- 4 ———- 4 —–

D ———- 5 ———- 3 —–

A ———- 5 ———- 5 —–

E ———- 3 ———- 3 —–

The first chord in the previous TAB represents a barre G chord played on the 3rd fret.

The second chord is a G-7 played in the same position. The only difference is the note on the D (4th) string. This note was lowered from the 5th fret, the 3rd fret to make the G chord G7.

A much easier way to visualize this is to think of the fingering pattern used when playing a G chord Barre in this position. All you have to do for a G7 chord is to lift a finger 4. No other changes are needed.

The good thing about guitar is that you can adapt this to a key just This position chord sliding up or down the neck. In this way, you can now play 7th chords anywhere.

Another common use 7th chord can formed using Barre chords in the form of "A".

For example, a C major chord Barre in the form of "A", played in the fret 3 is the first example would be as follows:

E ———- 3 ———- 3 —–

B ———- 5 ———- 5 —–

G ———- 5 ———- 3 —–

D ———- 5 ———- 5 —–

A ———- 3 ———- 3 —–

E —————————-

The second The above example represents the chord of C7, which is formed by lowering the note at the 5th fret of the 3rd series of two frets to fret 3. This requires a minor change in the fingering, but is easily done.

These 7 chords can also move to any key by simply sliding up or down the neck to the desired position.

Using the two formations of 7 chords shown above, can apply to a multitude of blues songs.

To illustrate, a song with an I, IV, V chord progression in the key of "G" would be the chords of G, C and D.

You can do this in a blues that sounds progression through the replacement of major chords with 7th chords.

The result would be a chord progression consisting of the G7, C7 and D7.

The G7 is played using the training in the first example above – the C7 will play with the second example above, and D7 training would be played by sliding the C7 chord two frets.

Experiment with these chords in different keys and get used to playing with them. You will find that you will use again and again.

The subtle difference change a major chord to a chord 7 can take a rock or country song and make it standard blues song by inserting only these chords simple blues guitar.

For more information on how to play blues guitar visit: http://learnandmasterbluesguitar.com/

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